Neumann KM184 Review – A Pair of Powerful Cardioid Microphones

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Neumann KM184 review featured imageOur Neumann KM184 Review

Neumann is known for manufacturing professional recording microphones. For 90 years they have worked hard to produce some of the top microphones on the market. Their equipment is used not only for recording and for live purposes, but also for broadcast. They have an incredible reputation for making some of the best microphones in the world, which is why they are so popular. Their Neumann KM184 is a great example of a popular microphone that is made to incredibly stringent standards.

What Is the Neumann KM184?

This is an incredibly advanced small diaphragm microphone that features a uniform polar pattern. It has a transparent and natural sound and it is designed to prevent a lot of self-noise. There are three different microphones in the Neumann Series 180. The KM183 is an omnidirectional microphone, the KM184 is a cardioid, and the KM185 is a hypercardioid. By making these three powerful microphones, Neumann was able to cover a wide range of uses and applications.

None of the Series 180 microphones are modular, making them much more cost effective than some of the other popular Neumann microphones on the market. While some musicians worry that this will limit how they can use their microphone, the Neumann KM184 is incredibly powerful and can be used in many applications, which negates this fear.

Who Is this Microphone Designed for?

The Neumann KM184 is designed specifically for use on stage and in the studio. It has a clear and transparent sound that makes it a perfect option for any musician who plays acoustic instruments. While it really shines when recording brass, acoustic guitar, drums, and piano, it is also great for ensembles and soloists. It is not optimized to record the human voice, but it can be used in some classical operations when sonic authenticity is important.

Thanks to the smaller size of the Neumann KM184, it is a great option for use in radio and TV applications. It’s not visually obtrusive the way that larger microphones tend to be. The price of the Neumann KM184 can be a bit of a turn off for some musicians, but investing in the KM184 is simply making an investment in your future as a musician.

What’s Included?

The Neumann KM184 ships with everything that you need to set up your new microphone and start recording right away. It comes with a pair of microphones, stand mounts, and windscreens. In addition, everything comes packed in a high quality and durable wooden box to help protect the equipment.

Inside the box, the items are all packed in a cut foam that is shaped to perfectly cradle the microphone and prevent damage. This durable foam is strong enough to offer support but soft enough to provide the cushioning that you want for ultimate protection.

Primary Features of the Neumann KM184

The great thing about the Neumann KM184 is that it is packed with professional and high-quality Neumann engineering, which really sets it apart from other microphones on the market. It offers a cardioid pattern that is frequency independent and will easily reject rearward sound, even at lower frequencies. Other great features include:

  • Capsule microphone with a cardioid pickup pattern
  • Very low self-noise
  • High overload capacity
  • A sound that is free from any coloration
  • Smooth frequency curves

The Neumann KM184 doesn’t produce any sound coloration even when it is set to a wider pickup angle. This is great for musicians who are going to record from more than one source and are worried about outside sounds being included in the recording.

The smooth frequency response of the Neumann KM184 is incredibly linear but does have a slight treble lift. This lift is located around 9 kHz and helps to add some brilliance and brightness to the recording.

The very low impedance output stage of the KM184 means that you can set it up on a very long cable run. Musicians can connect it with up to 1,000 feet of cable without suffering transmission losses.

Finally, the Neumann KM184 is designed to handle high sound pressure levels without any problems from distortion. It can easily handle up to 138 dB without the quality of sound being negatively affected, which makes this a great microphone for use in many applications.

Alternatives to the KM184

The Neumann KM184 is an incredibly powerful microphone that is great for a wide variety of applications, but due to the high price tag, it may not be the best option for some musicians. In that case, a great alternative is the Rode NT5-MP. This is a pair of cardioid condenser microphones that is great for recording purposes. They are perfect for use on a boom or mic and have a very heavy-duty body that won’t easily be damaged.

Another wonderful alternative worth considering is the Rode M5. These small condenser microphones are surprisingly powerful and perfect for use not only recording in a studio but also on a live stage. They do a great job picking up sound from a wide range of choirs and instruments, which means that they are a very versatile option for the versatile musician.

Conclusion – Is the Neumann KM184 a Good Choice for You?

As you can see, the Neumann KM184 is an incredibly powerful and well-designed cardioid microphone that has a lot of uses. It’s perfect for use in the studio and on stage and offers all of the power and control that musicians need when performing or recording. Even beginners can easily get great sound from this microphone and won’t have to worry about whether or not they have the knowledge to use it correctly.

While the slightly higher price tag of this microphone can be a bit of a turn off to some musicians, it really is one of the best options on the market. It features great response and can easily handle a wide dynamic range without compromising sound integrity. For this reason, it’s a perfect cardioid option for many musicians. As long as you can afford the higher price, you are sure to be very happy with the KM184 and how great it makes you sound.

Duke Taber has been a Senior Pastor of various churches since 1988. Prior to that, he was involved in the Christian rock scene opening for such notables as Larry Norman, Randy Stonehill, Rez Band, and once played briefly with Darrel Mansfield. Today he is the owner and managing editor of 3 successful Christian websites that support missionaries around the world.